this makes me so mad cos not only is this drawing shitty but if i were a cartoon character it’d be lana who is clearly black/biracial
weewoo weewoo here come the art police, passing judgment on shit they shouldnt
why shouldn’t I pass judgement? is art not to be judged and consumed by its audience? I mean this looks like a stardoll illustration ionno why your feelings are so hurt
yes i am the ass for calling you out on your bullshit. please tell me exactly what makes this artistically “shit”. is it her use of tones? the pose? dynamics? or just you being a giant baby because you didnt take two seconds to think before hitting “reblog”
Okay, I’d like to know what makes it shitty as well.
If it’s because you think her skin tone is too light, I think maybe it had to do with my upping the contrast and using a colour balance layer, which might have done something to it. It’s usually a part of my process in general, but it might be to blame here maybe. Here’s her face without the balances next to the image I used as reference for her colours.
However, if it’s just that you don’t like the way it’s drawn it’s like okay, whatever, that’s fair.
In regards to catchmeondatfuji, as someone that works on the show, may I emphasize:
This is the most beautiful shut down I have ever witnessed. Bless.
In September 2004, French police discovered a hidden chamber in the catacombs under Paris. It contained a full-sized movie screen, projection equipment, a bar, a pressure cooker for making couscous, a professionally installed electricity system, and at least three phone lines. Movies ranged from 1950s noir classics to recent thrillers.
When the police returned three days later, the phone and power lines had been cut and there was a note on the floor: “Do not try to find us.” (via)
nO YOU DON’T UNDERSTAND THIS ENTIRE CINEMA WAS HIDDEN BEHIND AN UNDER CONSTRUCTION SIGN THAT LEAD TO A CHECK-IN DISK WITH A FULL CCTV HOOKUP THAT WOULD TURN ON AND RECORD ANY UNREGISTERED VISITORS. AND IF SOMEONE SNUCK IN? A TAPE OF BARKING SECURITY DOGS WOULD BEGIN TO PLAY.
BEYOND THE CRAZY FRONT DESK AND THE MOVIE THEATER, THERE WAS A STOCKED BAR AND TABLES AND CHAIRS, MEANING THAT AFTER CATCHING A FLICK IN AN ILLEGAL PARISIAN CATACOMB THEATER, YOU COULD THEN EAT COUSCOUS AND SIP A COCKTAIL NEXT DOOR. THERE WAS A PROFESSIONAL ELECTRICITY SYSTEM SET UP, AND AT LEAST 3 WORKING PHONE LINES. THIS SHIT WAS LIKE A BOND VILLAIN.
BETTER YET? IT WAS RUMORED THAT THE PLACE WAS SET UP BY THE UNDERGROUND FRENCH ART GANG UX “Urban eXperiment”, WHO NAVIGATES THROUGH THE PARISIAN UNDERGROUNDS AND ILLEGALLY RESTORES ABANDONED WORKS OF ART, ALONG WITH HOLDING FILM FESTIVALS IN THE BASEMENTS OF GOVERNMENT BUILDINGS. THEY EVEN RELEASED A SHORT FILM ABOUT THEIR WORK RESTORING THE ICONIC PANTHEON CLOCK OVER THE COURSE OF ONE YEAR. NO ONE SUSPECTED THEIR INVOLVEMENT, UNTIL THE CLOCK BEGAN TO WORK AGAIN AFTER 60 YEARS OF RUSTING.
IF YOU DON’T THINK CATACOMBS AND THE PEOPLE WHO HANG OUT IN THEM ARE SOME OF THE COOLEST FUCKING THINGS IN THE WORLD THEN I IMPLORE YOU TO EAT SOME COUSCOUS AND RECONSIDER.